'This experience brought home to me forcefully something that had been growing as a realisation over the past two or three years: that the visibility I had assumed for my films was in fact not universal, but came out of the fact that my films had been shown mostly in downtown lofts or factories, which were full of dust. This dust was the source of the projected beam’s visibility. Once out of that environment and into the cleaner air of museums and galleries, the beams vanished.'
Tate Papers Autumn 2007 with Mark Godfrey and Anthony McCall
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